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Exhibition of
Miyamoto Saburo
Memorial Museum

now
open
Miyamoto Saburo, Knitting, c. 1945–48

Miyamoto Saburo, Knitting, c. 1945–48

2025.04.01 - 09.07

Miyamoto Saburo: Interiors—Figures and Still Lifes

Overview

Within the diverse oeuvre of Western-style painter MIYAMOTO Saburo (1905-1974), this show takes a look at his portrayals of human figures in indoor settings. They range from the strikingly ornamental figure paintings he produced in his Okusawa studio to intimate depictions of his own family and their life as wartime evacuees from Tokyo. Also introduced are still lifes that exemplify the descriptive power of Miyamoto’s work.

Information

Dates:
Tue., Apr. 1 to Sun., Sep. 7, 2025
Closed:
Mondays*
* Open Mon., July 21 and Aug. 11; closed Wed., May 7, and Tues., July 22 and Aug. 12
Hours:
10:00 AM – 6:00 PM (last entry: 5:30 PM)
Place:
gallery(2F), Miyamoto Saburo Memorial Museum

Admission

Adults 200 yen / Seniors (65 and over) 100 yen / University and high school students 150 yen / Junior high and elementary school students 100 yen / Pre-school children free of charge
Group Discount
Adults 160 yen / Seniors (65 and over) 80 yen / University and high school students 120 yen / Junior high and elementary school students 80 yen / Pre-school children free of charge

* Prices in parentheses ( ) refer to group rates for groups of 20 or more people.
* Admission for visitors with disabilities is 100 yen. Students with disabilities, and one attendant per visitor with disabilities, are admitted free of charge.
* High school and older students, seniors 65 and over, and people with special certificates should present their ID at the entrance.
* Elementary and junior high school students who reside and attend schools in Setagaya city are admitted free of charge on Saturdays, Sundays, and holidays.

Overview

Within the diverse oeuvre of Western-style painter MIYAMOTO Saburo (1905-1974), this show takes a look at his portrayals of human figures in indoor settings. They range from the strikingly ornamental figure paintings he produced in his Okusawa studio to intimate depictions of his own family and their life as wartime evacuees from Tokyo. Also introduced are still lifes that exemplify the descriptive power of Miyamoto’s work.