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Domoto Hisao, Chain Reaction Blue/Red, 1983

permanent collectiongallery 2f

2024.10.26 - 01.13

Museum Collection II
TRANSITION: What Changes and What Does Not

Overview

This exhibition examines the work of artists who pioneered new forms of expression by transforming their styles yet remaining true to their core beliefs. A prime example is DOMOTO Hisao (1928-2013), who began as a Nihonga artist, then shifted to Western-style painting and Art Informel before developing his own uniquely Japanese mode of abstraction.

Information

Dates:
Sat., Oct. 26, 2024 to Mon., Jan. 13, 2025
Closed:
Closed: Mondays (except when Monday falls on a holiday, in which case the museum will be closed the following Tuesday);* holidays from Sun., Dec. 29, 2024, to Fri., Jan. 3, 2025
* Open Mon., Nov. 4, Jan. 13 (national holidays); closed Tue., Nov. 5
Hours:
Hours: 10:00 AM – 6:00 PM (last entry: 5:30 PM)
Place:
2nd floor galleries

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Admission

Adults 200 yen / Seniors (over 65) 100 yen / University and high school students 150 yen / Junior high and elementary school students 100 yen
Group Discount
Adults 160 yen / Seniors (over 65) 80 yen / University and high school students 120 yen / Junior high and elementary school students 80 yen
* Discount applies to groups of 20 or more.
* Admission for visitors with disabilities is 100 yen. Students with disabilities, and one attendant per visitor with disabilities, are admitted free of charge (no reservation required).
* Pre-school children are admitted free of charge (no reservation required).
* High school and older students, seniors 65 and over, and people with special certificates should present their ID at the entrance.
* Elementary and junior high school students who reside and attend schools in Setagaya city are admitted free of charge on Saturdays, Sundays, and holidays.
* This exhibition can be viewed at no extra charge with a ticket to a concurrent Special Exhibition.

Overview

This exhibition examines the work of artists who pioneered new forms of expression by transforming their styles yet remaining true to their core beliefs. A prime example is DOMOTO Hisao (1928-2013), who began as a Nihonga artist, then shifted to Western-style painting and Art Informel before developing his own uniquely Japanese mode of abstraction.