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Past Special Exhibition

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2020.04.18 - 06.07

Three Masters of Contemporary Art:TAKAMATSU Jiro, WAKABAYASHI Isamu, and LEE Ufan

Overview

The artists TAKAMATSU Jiro (1936-1998), WAKABAYASHI Isamu (1936-2003), and LEE Ufan (b. 1936) have long been, and remain today, figures of great importance in any discussion of postwar Japanese art. This exhibition brings together a large number of prints by these three artists, and re-examines the position of printmaking in the artistic activities of each.

Information

Dates:
Saturday, April 18 - Sunday, June 7, 2020
*Some works on view will be replaced with others partway through the exhibition.
(First term: April 18 – May 10 / Second term: May 12 – June 7)
*Notice:This exhibition is cancelled due to the far reaching impact of the COVID-19 infection.
Closed:
Mondays except May 4, and Thursday, May 7.
Hours:
10:00AM - 6:00PM (last entry: 30 minutes before closing time)
Place:
1st floor galleries

Organized by:
Setagaya Art Museum (Setagaya Arts Foundation), The Yomiuri Shimbun,
The Japan Association of Art Museums
Supported by:
Setagaya City, Setagaya City Board of Education
Subsidized by:
The Japan Arts Fund, Japan Arts Council
Sponsored by:
Lion Corporation, Dai Nippon Printing Co., Ltd.,
Sompo Japan Insurance Inc., Nippon Television Network Corporation
With cooperation of:
Shirota gallary, Yumiko Chiba Associates, Wakabayashi Studio

Admission

Adults 1,000yen / Seniors(over 65) 800yen / University and high school students 800yen / Junior high and elementary school students 500yen
Group Discount
Adults 800yen / Seniors(over 65) 600yen / University and high school students 600yen / Junior high and elementary school students 300yen
*Discount applies to groups of 20 or more.
*Admission for visitors with disabilities is 500yen. Students with disabilities, and one attendant per visitor with disabilities are admitted free of charge.

Overview

The artists TAKAMATSU Jiro (1936-1998), WAKABAYASHI Isamu (1936-2003), and LEE Ufan (b. 1936) have long been, and remain today, figures of great importance in any discussion of postwar Japanese art. This exhibition brings together a large number of prints by these three artists, and re-examines the position of printmaking in the artistic activities of each.